The Denver Civic Theatre was formed by Miss Helen Bonfils and a small circle of friends in 1929. The inaugural program of the Bonfils Memorial Theatre, published in 1953, describes the early days of the DCT:
“The Denver Civic Theatre was organized with the cooperation of the University of Denver in 1929 as the University Civic Theatre.
“It began with two gifts and 700 members. The first gift was the auditorium, housed in Margery Reed Hall on the University Park campus and shared for twenty-four years with the theatre department of the university. That was the gift of the late Mrs. Verner Z. Reed.
“The second gift was of lighting and stage equipment, through the generosity of the late Mr. James H. Causey.
“The first years were a struggle and the infant community theatre was sadly in need of godparents. Born in prosperity it had to be fed while it grew through the depression years. The godparents were Miss Helen Bonfils, Mrs. Reed and Miss Florence Martin who time and again underwrote its deficits.”
Miss Bonfils and her stalwart group of supporters did prevail through those times and continued to produce five to six plays per year for 24 years.
Only three directors guided these productions: Maurice Gnesin for the inaugural season 1929-30, succeeded by Walter Sinclair, who led the group from 1930-51. Finally, Alexander Ivo directed all the plays for the last two seasons from 1951-53 and went on to be the producer and principal director at the Bonfils Memorial Theatre from 1953 until the 1963-64 season. He stayed on as producer at the theater until his retirement in 1967.
Here is a list of all the 147 productions* that were mounted in the original home of the DCT:
NO | SEASON | TITLE | AUTHOR |
1 | 1929-30 | CANDIDA | George Bernard Shaw |
2 | 1929-30 | WHY NOT? | Jesse Lynch William |
3 | 1929-30 | REDEMPTION | Leo Tolstoy |
4 | 1929-30 | DEAR BRUTUS | James M. Barrie |
5 | 1929-30 | THE ADDING MACHINE | Elmer Rice |
6 | 1930-31 | THE SHIP | St. John Ervine |
7 | 1930-31 | THE ROSE AND THE RING | Harris Deans |
8 | 1930-31 | OUTWARD BOUND | Sutton Vane |
9 | 1930-31 | THE WHITEHEADED ROY | Lennox Robinson |
10 | 1930-31 | CRAIG”S WIFE | George Kelly |
11 | 1930-31 | HAY FEVER | Noel Coward |
12 | 1931-32 | THE ROAD TO ROME | Robert Emmett Sherwood |
13 | 1931-32 | WHEN THE RED ARMY MARCHES | Harry L. Baum |
14 | 1931-32 | THE SILVER CHORD | Sidney Howard |
15 | 1931-32 | THE EMPEROR JONES | Eugene O’Neill |
16 | 1931-32 | ONCE IN A LIFETIME | George Kaufman, Moss Hart |
17 | 1931-32 | RANCOUR | Lynn Riggs |
18 | 1932-33 | DISTANT DRUMS | Dan Totheroh |
19 | 1932-33 | THESE FEW ASHES | Leonard Ide |
20 | 1932-33 | THE CRIME AT BLOSSOMS | Mordaunt Shairp |
21 | 1932-33 | PASSING THROUGH LORRAINE | Lionel Hale |
22 | 1932-33 | GOOD FRIDAY | John Masefield |
23 | 1933-34 | MURDER ON THE SECOND FLOOR | Frank Vosper |
24 | 1933-34 | HE | Alfred Savoir |
25 | 1933-34 | TWELFTH NIGHT | William Shakespeare |
26 | 1933-34 | THE SACRED FLAME | Somerset Maugham |
27 | 1933-34 | THE WATCHED PLOT | H. H. (Saki) Munro |
28 | 1933-34 | SOLID SOUTH | Lawton Campbell |
29 | 1933-34 | EAST LYNNE | Mrs. Henry Wood |
1934-35 | THE MOLLUSC Pre-Season Production | H. H. Davies | |
30 | 1934-35 | YOU NEVER CAN TELL | George Bernard Shaw |
31 | 1934-35 | THE BARKER | Kenyon Nicholson |
32 | 1934-35 | THE ROOF | John Galsworthy |
33 | 1934-35 | THE MAD HOPES | Romney Brent |
34 | 1934-35 | CRIMINAL AT LARGE | Edgar Wallace |
35 | 1934-35 | NOTHING BUT THE TRUTH | James Montgomery |
36 | 1935-36 | YELLOW JACK | Sidney Howard |
37 | 1935-36 | THE ROMANTIC YOUNG LADY | G. Martinez Sierra |
38 | 1935-36 | LADIES OF THE JURY | Fred Ballard |
39 | 1935-36 | NOAH | Andre Obey |
40 | 1935-36 | LADIES IN WAITING | Cyril Campion |
41 | 1935-36 | GOODBYE AGAIN | George Haight, Allan Scott |
1936-37 | MURDER IN THE CATHEDRAL Pre-Season Production | T.S. Eliot | |
42 | 1936-37 | JUDGMENT DAY | Elmer Rice |
43 | 1936-37 | THE OLD LADIES | Rodney Ackland |
44 | 1936-37 | IS LIFE WORTH LIVING? | Lennox Robinson |
45 | 1936-37 | THE SECOND MAN | S. N. Behrman |
46 | 1936-37 | HAIL, NERO! | Mary Stocks |
47 | 1936-37 | THE POST ROAD | Wilbur Daniel Steele, Norma Mitchell |
48 | 1937-38 | THE DISTAFF SIDE | John Van Druten |
49 | 1937-38 | MINICK | George Kaufman, Edna Ferber |
50 | 1937-38 | ABRAHAM LINCOLN | John Drinkwater |
51 | 1937-38 | NIGHT MUST FALL | Emlyn Williams |
52 | 1937-38 | GEORGE AND MARGARET | Gerald Savory |
53 | 1937-38 | STAGE DOOR | George Kaufman, Edna Ferber |
54 | 1938-39 | SORORITY HOUSE | Mary Coyle Chase |
55 | 1938-39 | THE FAR-OFF HILLS | Lennox Robinson |
56 | 1938-39 | ARMS AND THE MAN | George Bernard Shaw |
57 | 1938-39 | THE LATE CHRISTOPHER BEAN | Sidney Howard |
58 | 1938-39 | DOUBLE DOOR | Elizabeth McFadden |
59 | 1938-39 | THE MARQUISE | Noel Coward |
60 | 1939-40 | FAMILY PORTRAIT | Lenore Coffee, William J. Cowen |
61 | 1939-40 | BIG-HEARTED HERBERT | Sophie Kerr, Anna S. Richardson |
62 | 1939-40 | DEAR OCTOPUS | Dodie Smith |
63 | 1939-40 | THE GOOD HOPE | Herman Heijermans |
64 | 1939-40 | ART AND MRS. BOTTLE | Benn W. Levy |
65 | 1939-40 | JUNE MAD | Florence Ryerson, Colin Clements |
66 | 1940-41 | WASHINGTON JITTERS | John Boruff, Walter Hart |
67 | 1940-41 | WHAT A LIFE | Clifford Goldsmith |
68 | 1940-41 | THROUGH THE NIGHT | Florence Ryerson, Colin Clements |
69 | 1940-41 | BRIEF CANDLE | Robert Hare Powel |
70 | 1940-41 | GASLIGHT | Patrick Hamilton |
71 | 1940-41 | TWO ON AN ISLAND | Elmer Rice |
71 | 1941-42 | QUIET WEDDING | Esther McCracken |
72 | 1941-42 | GEORGE WASHINGTON SLEPT HERE | George Kaufman, Moss Hart |
73 | 1941-42 | BROTHER ORCHID | Leo Brady |
75 | 1941-42 | THE PURSUIT OF HAPPINESS | Alan Child, Isabelle Louden |
76 | 1941-42 | SPRINGTIME FOR HENRY | Benn W. Levy |
77 | 1941-42 | OUT OF THE FRYING PAN | Francis Swann |
78 | 1942-43 | YOU CAN’T TAKE IT WITH YOU | George Kaufman, Moss Hart |
79 | 1942-43 | THE CRADLE SONG | G. Martinez Sierra |
80 | 1942-43 | RAIN | John Colton, Clemence Randolph |
81 | 1942-43 | WESTERN UNION, PLEASE | Albert Hackett, Frances Goodrich |
82 | 1942-43 | INCOGNITO | N. Richard Nusbaum |
83 | 1942-43 | THE FIRST YEAR | Frank Craven |
84 | 1943-44 | CLAUDIA | Rose Franken |
85 | 1943-44 | MORNING’S AT SEVEN | Paul Osborn |
86 | 1943-44 | PERSONAL APPEARANCE | Lawrence Riley |
87 | 1943-44 | YES, MY DARLING DAUGHTER | Mark Reed |
88 | 1943-44 | KINGDOM OF GOD | G. Martinez Sierra |
89 | 1943-44 | YOUR UNCLE DUDLEY | Howard Lindsay, Bertrand Robinson |
90 | 1944-45 | JUNIOR MISS | Jerome Chodarov, Joseph Fields |
91 | 1944-45 | THE GREAT BIG DOORSTEP | Albert Hackett, Francis Goodrich |
92 | 1944-45 | THEATRE | Guy Bolton, Somerset Maugham |
93 | 1944-45 | LADIES IN RETIREMENT | Edward Percy, Reginald Denham |
94 | 1944-45 | MR. AND MRS. NORTH | Owen Davis |
95 | 1944-45 | JONESY | Anne Morrison, John Peter Toohey |
96 | 1945-46 | THE MAN WHO CAME TO DINNER | George Kaufman, Moss Hart |
97 | 1945-46 | SOLDIER’S WIFE | Rose Franken |
98 | 1945-46 | THE LITTLE FOXES | Lillian Hellman |
99 | 1945-46 | THE MALE ANIMAL | James Thurber, Elliott Nugent |
100 | 1945-46 | PAPA IS ALL | Patterson Greene |
101 | 1945-46 | THE FIRST LEGION | Emmet Lavery |
102 | 1946-47 | YOU TOUCHED ME! | Tennessee Williams, Donald Windham |
103 | 1946-47 | KISS AND TELL | F. Hugh Herbert |
104 | 1946-47 | WHILE THE SUN SHINES | Terence Rattigan |
105 | 1946-47 | ASMODEE, OR THE INTRUDER | Francois Mauriac |
106 | 1946-47 | MEET THE WIFE | Lynn Starling |
107 | 1946-47 | SHADOW AND SUBSTANCE | Paul Vincent Carroll |
108 | 1946-47 | ROOM SERVICE | John Murray, Allen Bortez |
109 | 1947-48 | SUDS IN YOUR EYE | Jack Kirkland |
110 | 1947-48 | DEAR RUTH | Norman Krasna |
111 | 1947-48 | I LIKE IT HERE | A. B. Shiffrin |
112 | 1947-48 | THE WHOLE WORLD OVER | Konstantin Siminov |
113 | 1947-48 | HER MASTER’S VOICE | Clare Kummer |
114 | 1947-48 | SUSPECT | Edward Percy, Reginald Denham |
115 | 1947-48 | HEAVEN CAN WAIT | Harry Segall |
116 | 1948-49 | LABURNUM GROVE | J. B. Priestley |
117 | 1948-49 | DEATH TAKES A HOLIDAY | Alberto Casella |
118 | 1948-49 | A BILL OF DIVORCEMENT | Clemence Dane |
119 | 1948-49 | LADIES OF THE JURY (Revival) | Fred Ballard |
120 | 1948-49 | THE BAD MAN | Porter Emerson Browne |
121 | 1948-49 | IT’S A WISE CHILD | Larry Johnson |
122 | 1949-50 | JENNY KISSED ME | Jean Kerr |
123 | 1949-50 | YEARS AGO | Ruth Gordon |
124 | 1949-50 | AN INSPECTOR CALLS | J. B. Priestley |
125 | 1949-50 | CAROLINE | Somerset Maugham |
126 | 1949-50 | BELVEDERE | Gwen Davenport |
127 | 1949-50 | FOR LOVE OR MONEY | F. Hugh Herbert |
128 | 1950-51 | BED OF ROSES | Falkland L. Cary |
129 | 1950-51 | THE SILVER WHISTLE | Robert E. McEnroe |
130 | 1950-51 | MR. PIM PASSES BY | A. A. Milne |
131 | 1950-51 | DOUBLE DOOR (Revival) | Elizabeth McFadden |
132 | 1950-51 | SEE HOW THEY RUN | Philip King |
133 | 1950-51 | PETTICOAT FEVER | Mark Reed |
134 | 1951-52 | ACCIDENTALLY YOURS | Pauline Williams Snapp |
135 | 1951-52 | THE PERFECT ALIBI | A. A. Milne |
136 | 1951-52 | THE VELVET GLOVE | Rosemary Casey |
137 | 1951-52 | REBECCA | Daphne Du Maurier |
138 | 1951-52 | LIFE WITI-1 FATHER | Howard Lindsay, Russel Crouse |
139 | 1951-52 | VILLAGE GREEN | Carl Allensworth |
140 | 1952-53 | DEAR BARBARIANS | Lexford Richards |
141 | 1952-53 | THE ZEAL OF THY HOUSE | Dorothy L. Sayers |
142 | 1952-53 | SPRING AGAIN | Isabel Leighton, Bertram Bloch |
143 | 1952-53 | THE SHOP AT SLY CORNER | Edward Percy |
144 | 1952-53 | BLITHE SPIRIT | Noel Coward |
145 | 1952-53 | THE HAPPY TIME | Samuel Taylor |